| 000 | 01638nam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 345024 | ||
| 003 | InACL | ||
| 005 | 20261007140914.0 | ||
| 008 | 261007s2008 xx 0 eng d | ||
| 020 | _a9781855661691 | ||
| 020 | _a1855661691 | ||
| 040 |
_aInACL _beng _erda _cInACL |
||
| 082 | 0 | 4 |
_a862.0523 _bGAR _223 |
| 100 | 1 |
_aLarson, Donald R. _eauthor |
|
| 245 | 1 | 4 |
_aThe Comedia in English : _bTranslation and Performance (Monografías A) / _cDonald R. Larson |
| 264 | 1 |
_aRochester, NY : _bTamesis Books, _c2008 |
|
| 300 | _a272 pages | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 520 | _a"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket. | ||
| 650 | 0 | _aTheatre, drama | |
| 650 | 0 | _aPerforming Arts | |
| 650 | 0 | _aPop Arts / Pop Culture | |
| 650 | 0 | _aCinema/Film: Book | |
| 650 | 0 | _aSpain | |
| 650 | 0 | _aFilm & Video - General | |
| 650 | 0 | _aPerforming Arts / Film / General | |
| 650 | 0 | _aSpanish drama | |
| 999 |
_c633884 _d633884 |
||