| 000 | 01870nam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 215080 | ||
| 003 | InACL | ||
| 005 | 20261007140912.0 | ||
| 008 | 261007s1996 xxu 0 eng d | ||
| 020 | _a9780820428444 | ||
| 020 | _a0820428442 | ||
| 040 |
_aInACL _beng _erda _cInACL |
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| 082 | 0 | 4 |
_a840.9007 _bCOA _223 |
| 100 | 1 |
_aColloquium in Nineteenth-Century French Studies (18th 1992 Binghamton, N.Y.) _eauthor |
|
| 245 | 1 | 0 |
_aRepression and expression : _bliterary and social coding in nineteenth-century France / _cColloquium in Nineteenth-Century French Studies (18th 1992 Binghamton, N.Y.) |
| 264 | 1 |
_aNew York : _bPeter Lang, _c1996 |
|
| 300 | _a342 pages | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
||
| 520 | _a"Repression and Expression opens with several studies that clarify aspects of French thought and ideology from the Romantic pomp surrounding the executioner to Maurras on conspiracy. Other articles examine themes and techniques in fiction and theater (Balzac, Hugo, Flaubert, the Goncourts, Zola, and Valles). The section on "Revolutionary Pleasures" focuses on modes of expression during the Directorate, the July Revolution, and the political banquets of 1847. The final section groups studies on themes and conventions in poetry (Baudelaire, Gautier, Laforgue, Mallarme) with theoretical considerations on rhyme and the genre of the "chanson.""--BOOK JACKET. | ||
| 650 | 0 | _aFrench literature -- 19th century -- History and criticism -- Congresses. | |
| 650 | 0 | _aRepression (Psychology) in literature -- Congresses. | |
| 650 | 0 | _aLiterature and society -- France -- Congresses. | |
| 650 | 0 | _aCongresses | |
| 650 | 0 | _aFrench literature | |
| 650 | 0 | _aHistory and criticism | |
| 650 | 0 | _aRepression (Psychology) in literature | |
| 650 | 0 | _aLiterature and society | |
| 999 |
_c633872 _d633872 |
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