000			01895nam a2200325 i 4500
001			286109
003			InACL
005			20261004183901.0
008			261004s1994 xxk 0 eng d
020			_a9780198149590
020			_a019814959X
040			_aInACL _beng _erda _cInACL
082	0	4	_a891.01 _bSHA _223
100	1		_aSharrock, Alison _eauthor
245	1	0	_aSeduction and repetition in Ovid's Ars amatoria 2 / _cAlison Sharrock
264		1	_aOxford [England] : _bClarendon Press, _c1994
300			_a320 pages
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
520			_aThe Ars Amatoria is a poem about sex and poetry, and poetry as sex. Witty and subversive, it is a poem of seduction about seduction: the seduction of the 'implied' reader being initiated into the art of love, and ourselves, as we are seduced by the poet into the act of reading the poem.This book offers a new and sophisticated critical assessment of the poem, based on the close analysis of certain passages, whilst at the same time being concerned with the reading of Ovidian poetry generally. Dr Sharrock's study is overtly theoretical, influenced in particular by deconstruction and reader-response theory, with an emphasis on intertextuality.In it she discusses a range of original and important issues: the traditions of didactic poetry and of elegy; the nature of the addressee in literature; the relationship between author and reader, speaker, and addressee; poetic self-display; digress
650		0	_aOvid, 43 B.C.-17 or 18 A.D
650		0	_aDidactic poetry, Latin -- History and criticism
650		0	_aErotic poetry, Latin -- History and criticism
650		0	_aSeduction in literature
650		0	_aRepetition (Rhetoric)
650		0	_aRome in literature
650		0	_aRhetoric, Ancient
650		0	_aSex in literature
999			_c633626 _d633626