| 000 | 01900nam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 168029 | ||
| 003 | InACL | ||
| 005 | 20261003164312.0 | ||
| 008 | 261003s2002 xx 0 eng d | ||
| 020 | _a9780520231801 | ||
| 020 | _a0520231805 | ||
| 040 |
_aInACL _beng _erda _cInACL |
||
| 082 | 0 | 4 |
_a882.010935 _bBAR _223 |
| 100 | 1 |
_aBarrett, James _eauthor |
|
| 245 | 1 | 0 |
_aStaged narrative : _bpoetics and the messenger in Greek tragedy / _cBarrett, James |
| 264 | 1 |
_aBerkeley : _bUniversity of California Press, _c2002 |
|
| 300 | _a250 pages | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 520 | _a"The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthus, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains little understood.Combining several critical approaches - narrative theory, genre study, and rhetorical analysis - this lucid and sophisticated study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself."."This study, thoroughly informed by literary theory, shows that the messenger speaks with a voice unique on the tragic stage, one that offers importa | ||
| 650 | 0 | _aGreek drama (Tragedy) -- History and criticism. | |
| 650 | 0 | _aNarration (Rhetoric) -- History -- To 1500. | |
| 650 | 0 | _aMessengers in literature. | |
| 650 | 0 | _aRhetoric, Ancient. | |
| 650 | 0 | _aAncient Rhetoric | |
| 650 | 0 | _aGreek drama (Tragedy) | |
| 650 | 0 | _aHistory | |
| 650 | 0 | _aHistory and criticism | |
| 999 |
_c633536 _d633536 |
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