| 000 | 01689nam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 220208 | ||
| 003 | InACL | ||
| 005 | 20260927132836.0 | ||
| 008 | 260927s2004 xxu 0 eng d | ||
| 020 | _a9780820470603 | ||
| 020 | _a0820470600 | ||
| 040 |
_aInACL _beng _erda _cInACL |
||
| 082 | 0 | 4 |
_a842.40924 _bCAS _223 |
| 100 | 1 |
_aCashman, Kimberly _eauthor |
|
| 245 | 1 | 0 |
_aStaging Subversions : _bThe Performance-Within-A-Play In French Classical Theater (Currents in Comparative Romance Languages and Literatures) / _cKimberly Cashman |
| 264 | 1 |
_aNew York : _bPeter Lang Publishing, _c2004 |
|
| 300 | _a150 pages | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 520 | _a"Staging Subversions: The Performance-within-a-Play in French Classical Theater defines a new type of metadrama using Le Tartuffe as its paradigm and explores the complex, ambiguous, and enlightening relationships that metadrama maintains with the social and political orders. While metadramatic scenes are most often concerned with theater itself, the performance-within-a-play adopts an important function in the play's plot, and consequently, in the social world of the play.The performance-within-a-play is particularly associated by the classical playwrights with the family structure, with the class system, with women's social roles, and with the politics of absolutism."--Jacket. | ||
| 650 | 0 | _aActing techniques | |
| 650 | 0 | _aPerforming Arts | |
| 650 | 0 | _aPlays / Drama | |
| 650 | 0 | _aPerforming Arts/Dance | |
| 650 | 0 | _aContinental European | |
| 650 | 0 | _aDrama | |
| 650 | 0 | _aTheater - Stagecraft | |
| 650 | 0 | _a17th century | |
| 999 |
_c633000 _d633000 |
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