| 000 | 01147nam a22002057a 4500 | ||
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| 005 | 20250922134533.0 | ||
| 008 | 250922b |||||||| |||| 00| 0 eng d | ||
| 020 |
_a9780859898263 _qhbk |
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| 041 | _ahbk | ||
| 082 |
_a932.02109 _bHAM |
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| 100 | _aHamer, Mary | ||
| 245 |
_aSigns Of Cleopatra _b: reading an icon historically |
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| 250 | _a2nd ed. | ||
| 260 |
_aExeter _bUniversity Of Exeter Press _c2008 |
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| 300 |
_axx, 172 p. _b: ill. _c24 cm. |
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| 504 | _aBib and Ref | ||
| 520 | _aThe purpose of this book is to raise questions about how these images of a dead Egyptian queen were read. Through careful analysis Hamer traces attempts to manipulate attitudes to women and power, women and sexuality and to desire itself. In the case of Tiepolo’s Cleopatra, for example, the Queen embodies the desire for knowledge; in post-Revolutionary France, she symbolises political freedom. In the new introductory essay we discover that Cleopatra’s role as a focus for cultural debate continues, and that, as previously, much is at stake: it is now the question of her race that is highly contested. | ||
| 650 | _aHistory | ||
| 942 | _cENGLISH | ||
| 999 |
_c588781 _d588781 |
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