000			01109nam a2200169 a 4500
005			20250903171728.0
008			250903s2025##################000#0#eng##
020			_a0820430293
082	0	4	_a780.92 _bIME
100	1		_aImeson, Sylvia,
245	1	0	_a"The Time Gives It Proofe"," _c/ Sylvia Imeson
260			_bPeter Lang _c1996 _aNew York
300			_a240 p.
520			_a240The time gives it proofe» Paradox in the Late Music of Beethoven presents a fresh approach to the study of musical meaning in the complex works of Beethoven's last decade. Several compositions, including the String Quartets Opp. 132 and 130, are examined in terms of a multidisciplinary critical framework that draws on concepts of paradox derived from the fields of myth and literature. This analysis of musical paradox in the selected works of Beethoven provides an effective means of interpreting the many apparently contradictory aspects of this repertoire, and serves as a useful model for the future analyses of narrative design and expressive structure in nineteenth-century music.
650		0	_aMusic
942			_cENGLISH
999			_c585269 _d585269