| 000 | 01158nam a22002057a 4500 | ||
|---|---|---|---|
| 005 | 20250806140303.0 | ||
| 008 | 250806b |||||||| |||| 00| 0 eng d | ||
| 020 |
_a9781847060389 _qhbk. |
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| 041 | _aeng | ||
| 082 |
_a700.71 _bPIG |
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| 100 | _aPigrum, Derek | ||
| 245 |
_aTeaching Creativity : Multi-mode Transitional Practices _c/ Derek Pigrum |
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| 250 | _a1st ed. | ||
| 260 |
_aLondon _b Continuum _cc2009 |
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| 300 |
_axi, 199 p. _b: ill. _c; 24 cm. |
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| 504 | _aBib and Ref | ||
| 520 | _aThis study is concerned with creativity in education - especially in arts education (broadly conceived to include the visual arts, music, and creative writing). It takes as its starting point Nietzsche's view that works of art do not appear "as if by magic". Using insights from philosophy, psychoanalysis, and semiotics, the book examines the creative processes of many artists in different media, showing how art works often result from processes of construction, deconstruction, and reconstruction that may be long and laborious. Pigrum demonstrates how teachers and their students in all sectors. | ||
| 650 | _aArts Study And Teaching | ||
| 942 | _cREF | ||
| 999 |
_c578774 _d578774 |
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