01986nam a2200337 i 4500001000700000003000600007005001700013008004100030020001800071020001500089040002700104082002200131100008900153245016900242264003400411300001400445336002600459337002800485338002700513520066600540650007801206650005701284650005201341650001501393650002201408650002601430650004201456650002701498999001901525952010401544215080InACL20261007140912.0261007s1996    xxu               0 eng d  a9780820428444  a0820428442  aInACLbengerdacInACL04a840.9007bCOA2231 aColloquium in Nineteenth-Century French Studies (18th 1992 Binghamton, N.Y.)eauthor10aRepression and expression :bliterary and social coding in nineteenth-century France /cColloquium in Nineteenth-Century French Studies (18th 1992 Binghamton, N.Y.) 1aNew York :bPeter Lang,c1996  a342 pages  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  a"Repression and Expression opens with several studies that clarify aspects of French thought and ideology from the Romantic pomp surrounding the executioner to Maurras on conspiracy. Other articles examine themes and techniques in fiction and theater (Balzac, Hugo, Flaubert, the Goncourts, Zola, and Valles). The section on "Revolutionary Pleasures" focuses on modes of expression during the Directorate, the July Revolution, and the political banquets of 1847. The final section groups studies on themes and conventions in poetry (Baudelaire, Gautier, Laforgue, Mallarme) with theoretical considerations on rhyme and the genre of the "chanson.""--BOOK JACKET. 0aFrench literature -- 19th century -- History and criticism -- Congresses. 0aRepression (Psychology) in literature -- Congresses. 0aLiterature and society -- France -- Congresses. 0aCongresses 0aFrench literature 0aHistory and criticism 0aRepression (Psychology) in literature 0aLiterature and society  c633872d633872  00104070aACLbACLcGENd2026-10-07l0o840.9007 COAp215080r2026-10-07 14:09:12w2026-10-07yBK