01806nam a2200337 i 4500001000700000003000600007005001700013008004100030020001800071020001500089040002700104082002300131100003000154245016500184264004500349300001400394336002600408337002800434338002700462520069200489650002201181650002001203650001801223650002601241650002501267650001001292650002501302650001701327999001901344952010501363220208InACL20260927132836.0260927s2004    xxu               0 eng d  a9780820470603  a0820470600  aInACLbengerdacInACL04a842.40924bCAS2231 aCashman, Kimberlyeauthor10aStaging Subversions :bThe Performance-Within-A-Play In French Classical Theater (Currents in Comparative Romance Languages and Literatures) /cKimberly Cashman 1aNew York :bPeter Lang Publishing,c2004  a150 pages  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  a"Staging Subversions: The Performance-within-a-Play in French Classical Theater defines a new type of metadrama using Le Tartuffe as its paradigm and explores the complex, ambiguous, and enlightening relationships that metadrama maintains with the social and political orders. While metadramatic scenes are most often concerned with theater itself, the performance-within-a-play adopts an important function in the play's plot, and consequently, in the social world of the play.The performance-within-a-play is particularly associated by the classical playwrights with the family structure, with the class system, with women's social roles, and with the politics of absolutism."--Jacket. 0aActing techniques 0aPerforming Arts 0aPlays / Drama 0aPerforming Arts/Dance 0aContinental European 0aDrama 0aTheater - Stagecraft 0a17th century  c633000d633000  00104070aACLbACLcGENd2026-09-27l0o842.40924 CASp220208r2026-09-27 13:28:36w2026-09-27yBK