the performance of comedy in Renaissance Italy Andrews, Richard Professor of Italian. creator author text xxk 1993 monographic eng

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298 pages The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. These scripted comedies, first written and performed for private audiences, ranged in tone from sober moralism to scurrilous farce, and influenced European dramatists from Shakespeare to Molière and Lope de Vega. This book gives an account of how the new dramatic experiment was born and grew, moving from closed courtly audiences to a wider public. It examines the performing values of these scripts rather than their literary qualities, in order to demonstrate their links with improvised commedia dell'arte, and thus explores a crucial phase in the development of European theater. It will be of interest to scholars and students in both theater history and Italian studies. Andrews, Richard Professor of Italian. Italian drama -- To 1700 -- History and criticism Italian drama (Comedy) -- History and criticism Theater -- Italy -- History -- 16th century Renaissance -- Italy History History and criticism Italian drama Italian drama (Comedy) 852.05230903 AND 9780521353571 0521353572 InACL 260926 20260926144604.0 197770 eng