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  <titleInfo>
    <title>Signs Of Cleopatra</title>
    <subTitle>: reading an icon historically</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Hamer, Mary</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Exeter</placeTerm>
    </place>
    <publisher>University Of Exeter Press</publisher>
    <dateIssued>2008</dateIssued>
    <edition>2nd ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">hbk</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xx, 172 p. : ill. 24 cm.</extent>
  </physicalDescription>
  <abstract>The purpose of this book is to raise questions about how these images of a dead Egyptian queen were read. Through careful analysis Hamer traces attempts to manipulate attitudes to women and power, women and sexuality and to desire itself. In the case of Tiepolo’s Cleopatra, for example, the Queen embodies the desire for knowledge; in post-Revolutionary France, she symbolises political freedom. In the new introductory essay we discover that Cleopatra’s role as a focus for cultural debate continues, and that, as previously, much is at stake: it is now the question of her race that is highly contested.</abstract>
  <note>Bib and Ref</note>
  <subject>
    <topic>History</topic>
  </subject>
  <classification authority="ddc">932.02109 HAM</classification>
  <identifier type="isbn">9780859898263</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">250922</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250922134533.0</recordChangeDate>
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