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  <titleInfo>
    <title>Still Life</title>
    <subTitle>: still life painting in the early modern period</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Schneider, Norbert</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Köln</placeTerm>
    </place>
    <publisher>Taschen</publisher>
    <dateIssued>2009</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>215 p.  : ill. (some color) ; 31 cm</extent>
  </physicalDescription>
  <abstract>The still life, the most primordial of painting subjects, had its peak between the late Middle Ages and the 17th century. In this book, Norbert Schneider explores the still life insights into changes of mentality and philosophy as well as its role in the history of scientific discoveries and the gradual replacement of the medieval concept of the world
</abstract>
  <note type="statement of responsibility">/ Norbert Schneider (Author),  Hugh Beyer (Translator)</note>
  <note>Biblio</note>
  <subject>
    <topic>Art</topic>
  </subject>
  <classification authority="ddc">709 SCH</classification>
  <identifier type="isbn">9783836510189</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">250820</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250820113016.0</recordChangeDate>
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