01370nam a2200205Ia 450000500170000000800410001702000180005808200180007610000200009424500120011424500530012626000260017930000140020552007560021965000160097570000340099194200120102599900190103795201080105620250807104731.0250807s9999    xx            000 0 und d  a9780954264857  a958.1046bTRO  aDworzak, Thomas 0aTaliban 0cDworzak, Thomas; Anderson, Jon Lee; Rees, Thomas  bTrolley Limitedc2003  a128 pages  aKandahar, a city of Pashtuns noted for their gaiety, so to speak, where Mullah Omar had made his final headquarters, has traditions of men in high-heeled sandals, with make-up of kohl and painted nails like sultry silent-movie stars. The Magnum photographer Thomas Dworzak, on war assignment for The New Yorker, discovered these photographs of the Taliban days after they had fled the city. They hung among portraits of Bruce Lee, Leonardo DiCaprio and Ahmed Shah Massoud, their faces retouched by the artful brushwork of the photographer. Thomas Dworzak, originally from Koetzting, Bavaria Forest, began freelancing in Eastern Europe and the Middle East in 1991. Three years later he was based in Tbilisi, Georgia, covering the Caucasus and Chechnya.  aPhotography  aAnderson, Jon LeeRees, Thomas  cENGLISH  c579031d579031  00104070aACLbACLc7Bd2025-08-07l0o958.1046 TROp284201r2025-08-07 10:47:31w2025-08-07yENGLISH