Taliban </titleInfo> <name type="personal"> <namePart>Dworzak, Thomas</namePart> <role> <roleTerm authority="marcrelator" type="text">creator</roleTerm> </role> </name> <name type="personal"> <namePart>Anderson, Jon LeeRees, Thomas</namePart> </name> <typeOfResource>text</typeOfResource> <originInfo> <place> <placeTerm type="code" authority="marccountry">xx</placeTerm> </place> <publisher>Trolley Limited</publisher> <dateIssued>2003</dateIssued> <dateIssued encoding="marc">9999</dateIssued> <issuance>monographic</issuance> </originInfo> <language> <languageTerm authority="iso639-2b" type="code">und</languageTerm> </language> <physicalDescription> <form authority="marcform">print</form> <extent>128 pages</extent> </physicalDescription> <abstract>Kandahar, a city of Pashtuns noted for their gaiety, so to speak, where Mullah Omar had made his final headquarters, has traditions of men in high-heeled sandals, with make-up of kohl and painted nails like sultry silent-movie stars. The Magnum photographer Thomas Dworzak, on war assignment for The New Yorker, discovered these photographs of the Taliban days after they had fled the city. They hung among portraits of Bruce Lee, Leonardo DiCaprio and Ahmed Shah Massoud, their faces retouched by the artful brushwork of the photographer. Thomas Dworzak, originally from Koetzting, Bavaria Forest, began freelancing in Eastern Europe and the Middle East in 1991. Three years later he was based in Tbilisi, Georgia, covering the Caucasus and Chechnya.</abstract> <note type="statement of responsibility">Dworzak, Thomas; Anderson, Jon Lee; Rees, Thomas</note> <subject> <topic>Photography</topic> </subject> <classification authority="ddc">958.1046 TRO</classification> <identifier type="isbn">9780954264857</identifier> <recordInfo> <recordCreationDate encoding="marc">250807</recordCreationDate> <recordChangeDate encoding="iso8601">20250807104731.0</recordChangeDate> </recordInfo> </mods>