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  <titleInfo>
    <title>Writing compelling dialogue for film and TV : the art &amp; craft of raising your voice on screen</title>
  </titleInfo>
  <name type="personal">
    <namePart>Caplin</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
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    <publisher>Routledge</publisher>
    <dateIssued>2021</dateIssued>
    <dateIssued encoding="marc">9999</dateIssued>
    <edition>1st ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">und</languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>213pages, 24cm.</extent>
  </physicalDescription>
  <abstract>The process of understanding dialogue writing begins with increasing writers' awareness of what they hear. This book provides writers with an assortment of dialogue and language tools, techniques, and exercises and teaches them how to perceive and understand the function, intent and thematic/psychological elements that dialogue can convey about character, tone, and story</abstract>
  <note type="statement of responsibility">/ Caplin, Loren-Paul </note>
  <note>index</note>
  <subject>
    <topic>Motion picture authorship</topic>
  </subject>
  <subject>
    <topic>Dialogue in television programs</topic>
  </subject>
  <classification authority="ddc">809.926 CAP</classification>
  <identifier type="isbn">9780367256869</identifier>
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    <recordChangeDate encoding="iso8601">20250416134256.0</recordChangeDate>
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