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Shakespeare in action 30 theatre makers on their practice \ by Jaq Bessell

By: Language: English Publication details: : The Arden Shakespeare , 2019. London, UK ; New York, NY Edition: 1st edDescription: ix, 212 p. 23 cmISBN:
  • 9781408171738
Subject(s): DDC classification:
  • 792.02 BES
Summary: How do actors prepare a script of a Shakespeare play for performance? Where do directors begin? What do Shakespeare's plays offer a designer or choreographer? How do the cast and creative team work together in rehearsals? With Shakespeare in Action, Jaq Bessell presents thirty interviews with theatre practitioners from some of the larger producing theatres in the UK and the US, exploring the various processes which bring Shakespeare's plays to the stage. Actors, designers, directors and choreographers, including Eve Best, Bunny Christie, Gregory Doran and Lindsay Kemp, share their collective wisdom and experience, and reveal how training and practice informs productions of Shakespeare plays. These first-hand accounts provide students of Shakespeare in performance and practitioners with a critical toolkit with which to study the plays in performance.
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Holdings
Item type Current library Call number Status Barcode
Reference Reference Anna Centenary Library 6TH FLOOR, B WING 792.02 BES;1 (Browse shelf(Opens below)) Not for loan 697226
Reference Reference Anna Centenary Library 6TH FLOOR, B WING 792.02 BES (Browse shelf(Opens below)) Not for loan 697225

Includes bibliographies and index

How do actors prepare a script of a Shakespeare play for performance? Where do directors begin? What do Shakespeare's plays offer a designer or choreographer? How do the cast and creative team work together in rehearsals? With Shakespeare in Action, Jaq Bessell presents thirty interviews with theatre practitioners from some of the larger producing theatres in the UK and the US, exploring the various processes which bring Shakespeare's plays to the stage. Actors, designers, directors and choreographers, including Eve Best, Bunny Christie, Gregory Doran and Lindsay Kemp, share their collective wisdom and experience, and reveal how training and practice informs productions of Shakespeare plays. These first-hand accounts provide students of Shakespeare in performance and practitioners with a critical toolkit with which to study the plays in performance.

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