Current library | Call number | Status | Date due | Barcode | |
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Anna Centenary Library 4TH FLOOR, B WING | 821.8 LAN (Browse shelf(Opens below)) | Available | 617505 |
821.009 SPU Studying poerty | 821.309 SEE Renaissance poetry | 821.7 MOO The Smile on Sorrow's Lips Selected Verses from Ghalib's Persian Poems with Urdu and English Poetic Translations | 821.8 LAN Alfred Tennyson | 821.83 ORR A handbook to the works of Robert Browning | 821.91209 SUK Seven Smiles of the Mona Lisa : approaches to the Waste land | 821.91209 SUK Seven Smiles of the Mona Lisa : approaches to the Waste land |
When Alfred Tennyson's critical reputation began to be revived nearly fifty years ago, monographs on the poet often aimed to cover the whole arc of his long career. For the past few decades, however, this has been increasingly rare: critics have tended to focus on selected works or on portions of the oeuvre. But Anna Barton's fine study offers a narrative of Tennyson's poetic development from beginning to end, describing both his career and his careerism—his conscious desire to make a name for himself and then to live up to that name. Perhaps her chief claim is that this consciousness of his own celebrity, particularly after he became Poet Laureate in 1850, was not (as has often been assumed and asserted) detrimental to Tennyson's poetry. "It might be expected that the transformation of the poet's name into a material,
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