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000 -LEADER | |
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fixed length control field | 01911nam a22002057a 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250120b |||||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9789388292290 |
Paper back/Hardbound | hbk. |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 750 |
Item number | LEO |
100 ## - MAIN ENTRY--AUTHOR NAME | |
Personal name | Leonardo da Vinci |
245 ## - TITLE STATEMENT | |
Title | The last supper : 35 pieces of art |
Statement of responsibility, etc | / Leonardo da Vinci |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication | New Delhi |
Name of publisher | Aleph Book Company in association with Namtech Fine Art |
Year of publication | 2019 |
300 ## - PHYSICAL DESCRIPTION | |
Number of Pages | 94 p. |
Other physical details | : col. ill. |
Dimensions | ; 24 cm. |
520 ## - SUMMARY, ETC. | |
Summary, etc | The enduring power of a great work of art lies in its ability to find a home in our imagination, where it will always retain a measure of freshness and mystery, even as its physical self fights a losing battle against time and decay. Leonardo da Vinci’s The Last Supper epitomizes this paradox. Whether rendered in oil on canvas or board, as prints, sculpture, or even as reproductions on tiles, da Vinci’s legendary painting, The Last Supper, continues to inspire artists from around the world centuries after it was painted in situ at the refectory of the Dominican monastery of Santa Maria delle Grazie, Milan. The thirty-five Indian artists represented in this book, too, have come under its spell. They span several generations, have evolved distinctive styles, inhabit varied geographical locations, and work in a variety of media—whether it’s Himmat Shah’s larger-than-life Jesus or Vaikuntam’s ethnic transposal of the protagonists, Madhvi Parekh’s vibrant folk evocation or Krishen Khanna’s masterful literary interpretation. As Ranjit Hoskote says in his introduction, ‘the spiritual impulse that animated da Vinci’s painting has travelled long distances in space and time: it assumes, and will continue to assume, unpredictable avatars. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical Term | Painting, Indic--21st century--Catalogs. |
Topical Term | Dinners and dining in the Bible |
Topical Term | Dinners and dining in art. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | English Books |
Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession Number | Price effective from | Koha item type |
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Anna Centenary Library | Anna Centenary Library | 6TH FLOOR, B WING | 28.01.2024 | 750 LEO | 699983 | 20.01.2025 | English Books | ||||
Anna Centenary Library | Anna Centenary Library | 6TH FLOOR, B WING | 28.01.2024 | 750 LEO;1 | 699984 | 20.01.2025 | English Books |