Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili: towards A Critical Contemporaneity (Record no. 528196)

MARC details
000 -LEADER
fixed length control field 01918nam a2200193Ia 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240822s9999 xx 000 0 und d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9781350254015
Paper back/Hardbound pbk
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 709.51
Item number GLA
100 ## - MAIN ENTRY--AUTHOR NAME
Personal name Gladston, Paul
245 #0 - TITLE STATEMENT
Title Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili: towards A Critical Contemporaneity
Statement of responsibility, etc / Paul Gladston
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher Bloomsbury Academic,
Year of publication 2021
Place of publication London,
300 ## - PHYSICAL DESCRIPTION
Number of Pages 239 p.
Other physical details : ill.
Dimensions ; 24 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographies and index
520 ## - SUMMARY, ETC.
Summary, etc In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Art, Chinese Foreign influences
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Reference
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Full call number Accession Number Price effective from Koha item type
        Anna Centenary Library Anna Centenary Library 6TH FLOOR, B WING 17.04.2024 3379.10 709.51 GLA 677674 22.08.2024 Reference

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