Figurations in Indian film (Record no. 526808)

MARC details
000 -LEADER
fixed length control field 01688nam a2200205Ia 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240822s9999 xx 000 0 und d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN 9788125054252
Paper back/Hardbound hbk
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.430954
Item number MEH
100 ## - MAIN ENTRY--AUTHOR NAME
Personal name Meheli Sen ed.
245 #0 - TITLE STATEMENT
Title Figurations in Indian film
Statement of responsibility, etc edited by Meheli Sen and Anustup Basu
250 ## - EDITION STATEMENT
Edition statement 1st ed.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher Orent Blackswan Private Limited
Year of publication 2013
Place of publication New Delhi
300 ## - PHYSICAL DESCRIPTION
Number of Pages x, 292 p.
Other physical details : ill.
Dimensions ; 23 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographies and index
520 ## - SUMMARY, ETC.
Summary, etc Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Motion pictures--India.
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Anustup Basu
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type English Books
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Full call number Accession Number Price effective from Koha item type
        Anna Centenary Library Anna Centenary Library 6TH FLOOR, B WING 08.05.2024 791.430954 MEH 684319 22.08.2024 Reference
        Anna Centenary Library Anna Centenary Library 6TH FLOOR, B WING 08.05.2024 791.430954 MEH;1 684320 22.08.2024 Reference

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